• Chris Van Goethem

    Chris Van Goethem Royal Institute for Theatre, Cinema and Sound (RITCS) Erasmushogeschool Brussel, Belgium Chris Van Goethem started his career as a stage manager and travelled around Europe with a multitude of Belgian companies. Later on he started to work as consultant and educator in technical theatre. He teaches History of Technical Theatre and Practice based…

  • Francesca Fantappiè

    Francesca Fantappiè (University of Milan – Italy) Francesca Fantappiè is a historian of Theatre and the Performing Arts, currently a researcher at the University of Milan. Taking an interdisciplinary approach to theatre and music, her scholarship includes work on performers, theatre architecture, stage machinery and designs, as well as the editing of theatrical texts. She curated…

  • Elenco archivi digitali teatrali italiani

    Elenco archivi digitali teatrali italiani

    La creazione del primo elenco degli archivi digitali teatrali italiani è stato realizzato all’interno del progetto PRIN 2022 – HYPERSTAGE: an Open Knowledge base for the semantic reconstruction of theatrical performances through the harvesting and processing resources from the New Italian Network of theatrical digital archives, ideato e coordinato dalla Prof.ssa Donatella Gavrilovich. La raccolta…

  • Maurizio Rossi

    PhD, Maurizio Rossi is Full Professor of Lighting Design at Politecnico di Milano, Director of the Master in Lighting Design & LED Technology, Director of the Master in Colour Design & Technology, member of the PhD in Design. He is currently scientific head of the Laboratorio Luce: a laboratory for photometry, colorimetry, lighting engineering, training…

  • ArTChat Project

    ArTChat Project

    Performative Arts constitute an ideal application domain for Generative AI technologies as for the complexity in the conceptual and intellectual background characterizing the nature of the field. The goal of this project is to demonstrate that a GenAI model, trained on Performative Arts data can achieve more accurate results on typical domain specific tasks, such…

  • Global Congress on Digital Innovation

    in the Visual and Performing Arts II HYPERSTAGE GLOBAL CONGRESS onDIGITAL INNOVATION IN VISUAL AND PERFORMING ARTS26, 27, 28 November, 2025 Sala della FortunaMuseo Nazionale Etrusco di Villa GiuliaPiazzale di Villa Giulia, 9ROMA

  • Fonti su Federico Barocci: per un corpus digitale

    Fonti su Federico Barocci: per un corpus digitale

    The main objective of the project is the creation of a corpus of sources relating to the activity, fame and fortune of Federico Barocci, intended for online use.The published and unpublished documentation on Barocci’s biographical and artistic career, his clients, his relationships with contemporary masters, and his reception over time is enormous and is the…

  • SEM (Scènes Européennes Marivaux)

    SEM (Scènes Européennes Marivaux)

    SEM (Scènes Européennes Marivaux) studies the presence of the theatre in Marivaux on different foreign stages, from the 18th to the 21st century. SEM allows a cross-reference and comparative reading, according to the chronological or linguistic and cultural axis of these multiple creations, or proposes to consult all editions and staging, any linguistic and cultural…

  • IA e Historia del Arte… Un fake on fire

    IA e Historia del Arte… Un fake on fire

    Recreation and virtual immersion of the most representative performative episodes of the History of the Spectacle of the “Ludically Aulic” of the Modern Age, with iconological analysis and interpretation, meaning and ideological scope for the Social History and Cultural History Culture represents an economic value in continuous growth, but above all an important factor of…

  • Darkscape Experience

    Darkscape Experience

    The Darkscape Experience project aims to relocate the works of art that were part of the original ornamental apparatus within the reconstructed virtual environment, allowing for the analysis, for educational and scientific purposes, of both the environment itself, in its overall restitution, and the individual objects that once made up its furnishings, thus allowing for…